Marie Force Blog

That Day I Decided to Stop Chasing the Bestseller Lists

I’ll admit it. I’d become a bit of a whore for it, and I’m not proud of that. After the first time it happens, it becomes a little addicting, the high of realizing you’re one of the top-selling authors in the country in a given week. Wowza. I vividly remember the day I first made the USA Today list in November of 2012. It was Thanksgiving Day, and I hit no. 99 with Fatal Deception, the fifth book in my Fatal Series. I was overwhelmed and thrilled and incredulous at how I’d gone from being one of the most rejected authors I knew to a bestseller in only a couple of years.

Then it got better.

Waiting for Love, book 8 in my Gansett Island Series, hit no. 6 on the New York Times’ ebook list in February 2013.

What a thrill, especially when you consider that book 1 in the Gansett Island Series was rejected EVERYWHERE. So not only was it thrilling to have an indie-published book in a series that no one wanted, except my readers of course, be the first to hit the New York Times list—and in the top 10, no less, it was also extremely vindicating. Like a big ole F you to everyone who’d ever rejected me—and there were a lot of rejections. TONS of them.

I remember when my next book was released after Waiting for Love hit, my dad asked me if I’d be disappointed if the new one didn’t make the Times list. YES, I said. I’ll be crushed! You don’t want to go BACKWARDS. God forbid! With hindsight, I have to wonder why I felt that way, but it took me a few years to get to the point where I acquired insightful hindsight on this issue (and yes, that’s a thing).

I went on a bit of a tear with the bestseller lists after Waiting for Love hit. Over the next three years, there were another 26 NYT bestsellers and more than 30 USA Today bestsellers along with many Wall Street Journal bestsellers that I haven’t been as good about keeping track of. In short, I was on a roll, and it felt good. It was validating and vindicating and exciting—and incredibly stressful.

EVERYTHING was timed toward making the lists—release days and release week contests and promotion and advertising. It became a mini form of MADNESS that overtook my life every time a new book was released, and then came the breathless wait on Wednesdays for the lists to be released to validate what I already knew based on the sales—my book was a bestseller. I won’t deny that it was fun to celebrate the lists, and add to the collection of covers on my wall that my agent started as a tradition for each new listing, but I’ve known for more than a year now that this whole thing was starting to get a little out of control.

And that became VERY clear to me last summer. I was on vacation with family and friends in Block Island, my no. 1 happy place in the world, where I spent an entire Wednesday afternoon at the beach stressing out about how my new Fatal book would do on the bestseller lists. The New York Times list came out an hour later than usual. It was email refreshing TORTURE. And guess what? The book did great on the lists and it sold a lot copies. It was all good, but looking back, I HATE that I wasted that glorious summer afternoon worrying about something that does not matter in the grand scheme of things. You hear me? It doesn’t MATTER!

That incident marked the start of what became a tidal wave of “What the hell am I doing?” thoughts that also centered around the readers who regularly ask why I and other authors don’t release books on Fridays or Saturdays when so many people are off work and able to curl up with a new book. They asked why my release week contests always ended at midnight on Saturdays. My answer to both questions was the same—everything is geared toward the bestseller lists. So here I was gaming a system that doesn’t really matter (in the grand scheme of things) at the expense of my customers—you know the lovely readers who actually BUY my books! *#&^@^ MADNESS!

I’d begun to seriously think that the madness had to stop. And then something else happened.

Earlier this year, in a move no one saw coming, The New York Times eliminated its ebook list, among many other lists that were cut. I want to say, for the record, that I totally disagree with this move, and it infuriates me that the NYT has basically given the shaft to authors who are KILLING IT on the digital side, which we all know is the future of the book business. They also eliminated the mass-market paperback list and made some other questionable moves that left a lot of people scratching their heads and wondering why. Now we’re hearing that USA Today is considering eliminating its bestseller list, too.

I feel for the scores of authors who had the NYT list as a “someday” goal. I hate that it has become almost impossible for authors who are nearly 100 percent digitally published to make the NYT list, even if they sell 25,000 books in a week. I always thought USA Today is a much bigger deal because it highlights ALL the books sold in the country in ALL formats on one list. Because it takes a lower number of sales to score a spot on the back end of the list, USA Today has been viewed by some as somewhat of a stepchild to the vaunted NYT. But I think most authors would agree that hitting the top 50 on USA Today is a pretty big deal when you look at who else is with you on that list on any given week.

If you are an author who is yet to hit a list and that is your goal, I want you to know that I fully support your goals and aspirations, and I understand them completely. I understand the need for that feather in your cap because I once had the same need for the feather. I am rooting for ALL of you to get there someday if that is what you want, and I will always celebrate my author friends and colleagues who make the lists.

I’m sure some of my fellow authors are rolling their eyes and saying it’s easy for me to say “take this list and shove it” because I’ve been there, done that 30+ times. You are RIGHT. That is true. And everyone should do what’s best for his or her own career. I’m just saying that it’s no longer in MY best interest to make bestseller lists a priority—from a business OR a mental health perspective. If I’m going to make myself crazy over something, at the very least it ought to be something that really matters, like, you know, writing more books.

So while I fundamentally disagree with the NYT’s decision to eliminate the ebook list, in a way it was kind of a relief to know that I would no longer be chasing that goal with every new release. I’d been hovering on the edge of letting go of the madness, and then they made it easier for me to take the leap into the land of I DON’T CARE anymore!

Being a bestselling author is like being an Olympic medalist or an Oscar winner. After the first time, you are ALWAYS a NYT or USA Today bestseller, whether you make it once in a lifetime or a 100 times. So I’m taking my letters and going home. No more chasing the lists. No more gaming the system. No more losing my mind trying to get the highest possible spot on lists that readers legitimately do not care about. Most of them wouldn’t know where to find the lists online or in the papers. Chasing lists becomes an ego thing. It does not matter to readers. At all.

So I’m putting my ego in a box and sticking it on the shelf. I’m putting my readers first, which is what I should’ve done all along. If they want books on Fridays, I’ll give them books on Fridays. If they want release week contests that last two weeks rather than five days, I’ll give them that, too. After all, they’re the ones who keep me in business, and they need to be more important than my damned author ego or need for validation, which I can get every time I look at my sales dashboard or reader reviews.

I have a few more indie titles scheduled to release on the usual Monday or Tuesday, but after that, watch for some Friday releases—maybe even a surprise release or two here and there. I’m going to shake things up and focus entirely on giving my readers what they want when they want it. I’m going to celebrate EVERY single sale, regardless of whether it contributes to elevating me onto a bestseller list, and that’s what I should’ve been doing all along.

Thanks NYT, USA Today and Wall Street Journal. It was a nice run. But I’m breaking up with you now. If you choose to continue our relationship in the future, I’ll be very thankful and appreciative. But I’m not going to do naked backbends in public to get you to notice me anymore. I’m done with that nonsense.

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Click Here to Leave a Comment Below 14 comments
Diane Blair Richard - March 19, 2017

Kudos to you Marie

Anita Rodgers - March 20, 2017

Brava! Good for you, Marie.

YasmineGalenorn - March 30, 2017

Yeah, I used to go through horrendous waiting periods. So many Wednesdays (which I and my friends would call Doom Wednesday) I almost threw up because of nerves. Or I’d be crying while I waited because of the stress. Then when the news came it was either rejoice or be shunted into a black pit. Now that I’ve moved over to indie (right as the changes in lists came), it’s a whole new game. And I’m more focused on sales and readers than on refreshing the letters that come before my name.

    Marie Force - March 30, 2017

    It never made me sick or anything like that, probably because I’ve been indie published since 2010 and don’t live in fear of being dropped by a publisher, but it is nice to let it go and focus on the things that really matter going forward.

      YasmineGalenorn - March 30, 2017

      Yah, last year I went indie after being trad pubbed since 1997. Before I ever hit the lists, it wasn’t an issue. But the minute I did, the pressure started.

tasha9011 - March 30, 2017

Great post! Getting on any of those lists is every writers goal but you brought up great points. I wouldn’t say that digital is the future necesari;y, only because a lot of hardcore book peeps (myself included) love the feel of a good book. Digitial books are here to stay but I’m not sure they’re going to take over.

    Marie Force - March 30, 2017

    There will always be print books and print readers, but if you ask any author working today to compare their digital and print sales, most would tell you that digital has already taken over and it happened a LONG time ago.

      YasmineGalenorn - March 30, 2017

      For a lot of writers. I’m trying to swing my readers toward digital now, but my pub (when I was trad) priced my e-books HIGHER than my print books for the most part. Um. Not a way to build a digital audience. Now I’m working on that hardcore. LOL

      tasha9011 - April 1, 2017

      I think we’ll have to agree to disagree on this one. You’re right that many authors (particularly indie) get more digital sales than print. However, that can be attributed to many factors including that some authors only sell in ebook (financially savvy). The point I’m making is that yeah digital sales are a big chunk of an author’s royalties but they’ll never replace print, not entirely. In a way I think we’re saying the same thing.

        Marie Force - April 1, 2017

        I’m talking all authors, not just indie, and we’re definitely not saying the same thing. I don’t believe digital will ever replace print. I think I said that. However, I would bet the farm that 95 percent of the top authors published today in all genres would tell you their digital numbers far outpace their print numbers if for no other reason than the absolute fact that retail shelf space devoted to print books gets smaller every year. There’s no way the finite number of slots on the shelves can compete with the vast infinity of the digital space. That’s just simple math. I know hundreds of authors who make a lucrative living on digital alone. I can’t imagine anyone other than the top 1 percent of authors would say they make a lucrative living on print alone.

          tasha9011 - April 2, 2017

          No, we’re definitely saying the same thing lol In one of my previous comments I mentioned how authors get a lot of their royalties from digital sales which you just said. And we both agree that digital books will never replace print, so we’re on the same. page. When I say digital will never replace print I’m not referring to royalties (maybe that’s where the confusion is coming from) I meant more from a reader’s perspective. I was speaking more generally. I’ve had several author friends say exactly what you said about digital and print. They have print books but the money is in the digital. I’m pretty sure we’re on the same page here actually lol but it’s also fine if we don’t agree.

Melissa Yuan-Innes - March 30, 2017

Bam. This makes so much sense to me. We’re always looking for ways to prove that we’re ‘real’ writers. Are you published? Did you make money? Well, then, how much money? What’s your ranking? Did you make the bestseller list? Did you do it this year? This month? Huh? Huh? Huh?
All that noise distracts from the real, live human beings buying and loving your books, and the beauty of Block Island.
Thanks for letting me know that I’m not the only one spinning with mind games, that it happens to 30+ NYT bestsellers, too–and reminding us what really counts.

Babs Glazier - March 31, 2017

Just wanted you to know I LOVE the Quantum series and I am so happy you are writing a new one! It’s one of my all time favorite series.

Smitty - April 28, 2017

Thank you so much for your words, Marie. I totally understand the whole mindset in “Indie-Land” with respect to ‘hitting a list’ come hell or high water! Some of the things I saw happening — and still do to some degree — turn my stomach. I’m self-published. I’ve made a decent living for the past five years and for that I am deeply grateful. At age 57 I was fired from my job for whistle-blowing. I lost a 6-figure income, and the company I worked for had put me through two years of “mind games” hoping I would quit before they finally lowered the boom. Needless to say, I was so fragile I didn’t leave my home for six weeks. Instead, I sat in front of my laptop, and pounded out my first self-published novel. I never imagined I would make a living at it, but for the next five years, I self-published twenty more titles and supported myself doing so.

It’s hard now to make the living I once did from self-publishing, but thankfully, I’m now able to collect my retirement and social security, so it all worked out fine. The social media stuff got old; the drama became too much, and Amazon . . . well, let’s just say they haven’t been “Indie-friendly” for quite some time. But my royalties are still a nice boost to my income and I’m taking a well-earned break from it all.


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Marie Force is the New York Times bestselling author of contemporary romance, romantic suspense and erotic romance. Her series include Fatal, First Family, Gansett Island, Butler Vermont, Quantum, Treading Water, Miami Nights and Wild Widows.

Her books have sold more than 12 million copies worldwide, have been translated into more than a dozen languages and have appeared on the New York Tmes bestseller more than 30 times. She is also a USA Today and Wall Street Journal bestseller, as well as a Speigel bestseller in Germany.

Her goals in life are simple—to finish raising two happy, healthy, productive young adults, to keep writing books for as long as she possibly can and to never be on a flight that makes the news.

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